It’s not often that I have a special experience surrounding a book I read. This one involves the Japanese writer Haruki Murakami and what was probably the worst bike ride of my entire life.
September of last year Yun and I planned a do or die trip to Jeju Island, the so-called “Hawaii” of South Korea. We were leaving Korea soon and it didn’t seem right to do so before we paid a visit. Why not go all out, we thought, and turn it into an epic bike trip. So with some thought we planned our itinerary, where we would stay, and how we would pack.
We didn’t exercise as much thought when it came to the weather.
About two days before the trip it occurred to me to check the weather status on Jeju Island. “Constant rain,” the Internet told me. All three days we would be there. All day long.
We shrugged it off. What’s a bit of rain, anyway? We figured. Isn’t that part of the adventure? A raincoat each and we’d be set. How bad could it be? (Here I take a moment to pause and exhale ever so slightly…)
When we arrived in Jeju City the rain was fairly mild. See, this is nothing! My psyche made a valiant attempt to see the glass half full. We hopped on a bus headed south and crashed that night at a “pension” (something like a Korean B&B, minus the breakfast part). We had ordered our rental bikes to be dropped off the next morning. And then the next morning came.
Rain. Frenzied, relentless, pell mell. Half filled with dread, half mortified I couldn’t look Yun in the eye. The rental bike guy came with our bikes to the hotel lobby at around 9 am. Seeing our hesitation he asked, “You know how to use these…?”
It’s not that we didn’t know how to ride a bicycle. Rather it was at this moment we realized the second critical error we had made.
The bikes we had rented were…how to describe them? Professional bikes. Bike enthusiast bikes.
The kind of bike with the hand bars one foot lower than the seat so that you’re bent forward like a yogi. The kind of hand bars that have little horns you have to grip on top so that it’s almost impossible to pull the brake without killing the muscles in your pointer finger. These were bikes meant for true athletes, meant for aerodynamic cruising around hairpin turns. They didn’t even have kickstands. My idea of a bike was (and still is) a low-rider with a fat, cushy seat and a big basket in front for carrying a thermos of lemonade. We both stared for a moment in silence.
The bike rental guy showed us how to adjust our seats (even the lowest setting still put us in the leaning yogi position) and with a brusque, I-don’t-have-time-for-this kind of attitude sauntered back out into the rain and drove off in his rental van.
The hotel manager watched us from behind the counter and said, “Are you guys really going to ride those things out there?” I don’t understand Korean all too well, but I can’t imagine what else he could’ve said. I’m pretty sure at that moment both Yun and I reconsidered what we were doing, but we had checked out of the room, paid for the bikes, and the ship had sailed. We donned our helmets and our pitiful rain ponchos we’d bought at a convenience store and headed out.
Something to note about riding in the rain: there’s riding in the rain on a level surface. And then there’s riding in the rain uphill. And then there’s riding in the rain uphill in the wrong clothes. And then there’s all of those factors, in addition to riding on a bike you have absolutely no experience with.
I did okay until it got to the uphill part. I tried to think of it as a whimsical sort of misadventure I could sort of laugh my way through. That’s when my thighs started to die.
I was wearing jeans – probably the worst thing you could wear in a rainstorm – and they were soaked to the core in seconds. Along with my muscles they resisted the upward pull of my legs as I pedaled. I was thoroughly out of humor by the time I reached the uphill peak, and my exchanges with Yun were few and terse.
Downhill, however, was a nightmare. As you recall, the position of the bike forced me into a leaning forward position. This meant that in order to look up, my neck and shoulders experienced a terrific strain. But if I looked down I couldn’t see my path ahead, and in rainy conditions this was nothing short of suicide. In addition to that, the brake was near impossible to pull and I almost wiped out at one point. After a few moments of primal, childlike crying from shock I remounted and changed the position of my hands. I was now able to reach the brake easier, but at the cost of my hands and wrists being uncomfortable.
Over the few hours biking on the road along the south coast of Jeju Island we experienced little variation and a lot of monotony. When uphill became too painful for us we stopped to rest under a bus stop – otherwise we kept moving. When downhill became too painful we got off and walked. Any time delaying at a restaurant or store just meant more time until we reached our destination. Almost every second of riding the bike was miserable, but the anticipation of getting back on the bike was even worse. So we just kept going.
I have two distinct memories of that epically disastrous ride. The first was when we passed the “Health and Sex” museum that happened to be next to the road. I’m not sure why, but we stopped and took a photo. The museum name was too long to get in the shot, so in the photo is Yun, standing in a field, in his helmet and poncho, next to the giant letters “S-E-X.”
The second memory was another time I nearly wiped out, although I managed this time not to hyperventilate. The front end of my bike swerved this way and that, and I had just enough presence of mind to steer it and pull on the brakes before crashing into a fence. When I finally stopped and looked up there was a giant, brown cow standing a few yards in front of me. Its huge, unblinking eyes directly met mine. The sight of me had probably stopped it in the middle of chewing its cud. Normally I find cows to be less than intelligent animals, but this one regarded me with an unmistakable expression of both wonderment and disgust. I quickly backed up and rode off, ashamed.
Through some sort of miracle we made it all the way to Seogwi-po City, the only largish town on the southern coast. To add insult to injury the first two hotels had no vacancy. Finally we found a decent place with a friendly and sympathetic clerk. We peeled off our clothes, showered, found a Laundromat, ate a dinner of pork barbecue and called the bike rental guys to come pick our bikes up early. They said they would be happy to, but it would take a while because they had to pick up some other bikes that their other clients had quit using. Gee, go figure.
The next day of our Jeju Trip Yun and I were walking and riding in cabs instead of biking, but the memory of the day before still stung. After seeing a couple of waterfalls we found a coffee shop. It was another cold, wet day and we needed something warm, but we didn’t intend to stay long.
Unlike Seoul, the people of Jeju Island are rather friendly and casual. When I rattled off a stock-memorized sentence in Korean (“Do you happen to have hot chocolate?”) the barista became delighted and tried to start a conversation.
I tried to muddle my way through her questions, grasping at any words I recognized and answering her as best as I could understand. Of course, I denied that I could speak Korean well, but this seemed to have no effect on her. She said something else I couldn’t understand, and came back a few moments later with a book in her hand. An English book. It was What I Talk About When I Talk About Running, by Haruki Murakami.
“It’s one of my only English books, so you can read it,” she said, in essence. “This is a very special book to me.”
Gratefully I plopped down into a chair with my hot chocolate mug and it didn’t take me long to realize that Mr. Murakami’s book was strangely apropos to my whole Jeju misadventure. I lost track of time and soon had read the whole thing.
For the record, I have not read any Murakami novels. I am aware that he is a both a bestseller and a sort of darling of the critics, and maybe for that reason I felt a bias and didn’t bother. Illogical, I know. I guess I imagined he was someone pretentious and boring. And for all I know, his novels are that. But his memoir, Running (I’ll call it that for short) is anything but pretentious. And certainly anything but boring.
In a modest but riveting 127 pages Murakami matter-of-factly explains why he enjoys running long distances and how the self-discipline and enjoyment of it help him write novels. He shares pieces and glimpses of his life and his beginnings as both a writer and as a runner. I can’t tell if the self-effacing way he talks about his flaws and foibles is a Japanese cultural thing, personal modesty, subtle humor or all three – whatever it is, it’s delightful. His attitude is either genuine and honest, or so brilliantly contrived that it doesn’t matter if it’s not. He gives you the straight talk on marathons he’s run and the leg cramps, dehydration, crappy weather and other ignominies he’s suffered along the way.
The ecstatic moment for me on that rainy day in the coffee shop, though, was when he began to share his triathlon experiences. Guess which is his least favorite part in the triathlon. One lucky guess.
Murakami seems to feel almost as awkward on a bicycle as yours truly. I think I laughed out loud when he described the hunched leaning position as “a praying mantis with a raised head.” “It’s next to impossible,” he tells us, and goes on to say that:
Sometimes it [cycling] strikes me as an intricate form of torture. In his book the triathlete Dave Scott wrote that of all the sports man has invented, cycling has got to be the most unpleasant of all. I totally agree.
If a worldwide bestselling Japanese novelist and triathlete feels like cycling is “torture,” I guess I’m not quite such a baby after all. Not quite, anyway.
But Running is a memoir filled with so many more witty and straightforward insights than cycling. After all, it is mainly about running. And about inspiration. Above all, it is personal – he never claims to have found the ultimate answer to anything, but rather, shares his own experiences as an artist and as a runner, for what they’re worth.
One thing (among many) that I think Murakami hits on the head is the concept of pain – and by extension, effort we put into anything we do. That could also include writing a novel. Or overcoming the discomforts of traveling to a new destination:
It’s precisely because of the pain, precisely because we want to overcome that pain, that we can get the feeling, through this process, of really being alive – or at least a partial sense of it.
I felt cranky, tired, dirty, soiled and grimy on that long bike ride. I felt pain both physical and figurative. And yet I certainly felt alive. It was the pursuit of that aliveness that gave me the mad impulse to go out in the rain anyway, even though the hotel manager and Yun and I knew it was folly. And while I will never get on one of those lousy praying mantis bikes again I can’t deny that there was a sort of triumph of overcoming. Yun and I first felt a spark of that triumph when we managed to get our bikes all the way to the cliffs of Jusangjeolli and forget our misery for a few serene moments as we stared at those ranging waves rising towards the sky like something out of a 19th century Romantic painting.
Sometimes pain is worth it. And even when it’s not, it can make for a great story later.
The barista was kind enough to let me read Murakami’s memoir till the end, but she did rather anxiously let me know that I needed to give it back when I was finished. It was one of her few English language books, after all, and other patrons needed a chance to read it. Maybe some day another poor unfortunate soul on a praying mantis bike would stumble in and need some validation. Or not. Either way, What I Talk About When I Talk About Running is a book that goes wonderfully with hot chocolate, and it just might change your life.